"One Sign, One String" speaks to the power of limitation, the expressiveness of minimalism, and the infinite variety that emerges from them. The construction of these objects employs just one of the 64 signs from the artist’s "City-Alphabet" modular system. Much as a musician draws a multitude of intonations from a single-stringed instrument by altering string tension and neck curvature, a vast array of combinations is derived from a single geometric sign. The *ektara* functions as a rhythmic instrument, featuring a stable foundational tone upon which variations are layered. A rhythm emerges in the sculpture through the repetition of the sign—creating a pattern—while variations arise from inversion, the truncation of one or two of the sign’s elements, and the use of colors that periodically swap places. This series of objects—similar yet not identical—becomes a musical score, allowing the viewer to "hear" the sculpture.